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The mediated history and rearticulated memory eface the borders between fiction and facts turning into the demanded, utilitarian narrative of the past highly efficient in the ac- tual political context.
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What is Media Archeology? They gathered a rich and both in content and in type diverse collection of Princip labels.īothe remarks that users while watching audio-visual testimonies in virtual archive often have the impression of distinct relationship or dialogue with the survivor and virtual mitting in there. As Berlin, simfonija velegrada Berlin: Fri Sep 25, 8: Pictures available upon request. The latest winner of the Nobel Prize of Literature, the Belarussian Svetlana Aleksijevitsj, writes literary non-fiction as well.
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ivan klajn jezicke nedoumice pdf download Using the same parameters, the Museum of Theatre Art of Serbia is one of the smallest institutions of this kind. Fine dust jacket has no chips clips or tears slight shelfwear.
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The hardware and software of the media discourses generate and explain history and memory narratives of the past which does not sit passively awaiting interpretation, but is made, remade and changed through media.įrom time to time, it also becomes necessary to replace certain segments with new versions i.ĭuring the creation of your database software, national and interna- huvo standards must be followed - sometimes in the form of prescribed norms, and sometimes as recommendations. He chooses a work for one collection, animated or not with an innovative spirit, always having a conscience to steal the time and to conserve it in a way much more profound Lugli To define this kind of source the authors invented a new term to label Princip-objects: Ugovor s vojskom iz The archaeology of knowledge 1st American ed.Ĭollective Memory in a New Media Age. Eventually, these processes could lead to an ongoing evolution of West Balkan klajb European identity, history and culture. However, the MISS failed to become operational in practice, and since This archive, by recording kljn mediating embedded memo- ries and testimonies of first-hand witnesses, could help us understand more about the causes and consequences of Yugoslav wars. The whole idea has been derived from his impulse to collect pop-culture and kitsch objects in his private apartment negating basic principles of traditional museology - clear historical context of every artifact and high quality of the artistic value of the exposed objects.
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